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Nighttime life

Along for the Ride

Nighttime life is the setting in which Auden’s lonely hours in Colby become a shared, exploratory world with Eli. What had been aimless driving turns into a succession of errands, meals, and first-time experiences; in the dark, those ordinary activities acquire room for intimacy and for Auden’s attempt to reclaim parts of childhood she had missed.

From Solitude to Shared Nights

Auden initially spends the night driving alone to Wheelhouse, through Colby’s streets and neighborhoods, and occasionally stopping at Gas/Gro. Looking back, she finds those excursions as monotonous as treading water. About a week after a long night out, however, her knowledge of the town’s nighttime life has expanded. The decisive difference is Eli’s company: it is with him, rather than in her solitary drives, that Auden discovers what the night can offer.

Their meetings begin less like a fixed appointment than a recurring coincidence. Auden leaves Clementine’s after closing, talks for a while with the other employees, and then heads off alone. Fifteen minutes, half an hour, or an hour later, she may encounter Eli at Gas/Gro or Beach Beans, and their evening’s adventures begin. That repeated crossing transforms the night from empty time to a space they make together, one encounter at a time.

The Geography of Night

The shared hours move through an unusually varied map of late-opening places. At a laundromat, Auden and Eli share pie and coffee with Clyde, who describes his latest culinary experiments. At Park Mart they dodge people Auden describes as crazed while looking for dental floss, wind chimes, and other items from the list Eli keeps in his head. The errands are practical, but their accumulation gives the nights a casual, episodic momentum: each task can lead to another stop and another story.

After last call, they go to the Colby boardwalk, where Mohammed sets up a pizza cart outside the most popular clubs. The cheese slice costs a dollar fifty and becomes, in Auden’s telling, the best she has ever eaten. On other nights, they fish from the pier and watch phosphorescence illuminate the water below. The pizza cart and the glowing water mark the range of these hours, from cheap food in the wake of the clubs to a quiet spectacle beside the sea. Nightlife here is not limited to going out; it includes the streets, shops, food, and shoreline that remain available after the usual evening is over.

Time, Childhood, and the Quest

Auden and Eli’s conversations and activities unfold between the time when other people go home and sunrise. Their exchanges can be serious or playful, but the night gives them a particular scale: Auden senses that what they say and do takes on greater meaning in the dark. She describes the experience as if time were both speeding up and slowing down. The difference from daytime is not simply the hour; the shared night changes how the hours feel and what can happen inside them.

Time also becomes a recurring subject. As they wander brightly lit store aisles, sit in a dark room while Eli’s clothes tumble in the dryer, or drive through nearly empty streets, they talk about the future, including college, and about the past, especially childhood. More than either, they return to the possibility of making up for lost time. Eli believes this may be possible for Auden, whose childhood was not unhappy but excluded experiences that other people take for granted. Their quest gives that idea a practical form: they seek out, one item at a time, things Auden never did.

Bowling at Ten Pin, open late in a town a couple of towns from Colby, is one such experience. Eli insists they go after learning that Auden has never bowled. The narrow lanes, sticky benches, and rental shoes do not make the place glamorous; their significance lies in Auden trying something she had previously missed. Eli’s suggestion that a happy childhood can still be had late in life meets Auden’s qualification that her childhood was not unhappy, only incomplete in a particular way. The exchange keeps the quest from being a simple effort to rewrite her past: it is about adding experiences, not replacing her memories with a claim that everything was wrong.

Routine and Rite of Passage

Over the next couple of weeks, the nights settle into a pattern: Auden sleeps in the mornings, works in the evenings, and spends the nights with Eli. The accidental meetings become understood appointments. After Auden finishes work, they meet at Gas/Gro, where coffee and whatever supplies they might need help launch the evening’s plan. Errands, pie with Clyde, and progress on the quest become recurring elements of a routine that is both ordinary and deliberately open to detours.

That routine also carries them toward more conventional nightlife. Around one in the morning, Auden and Eli stand outside Tallyho, Leah’s favorite club. Its window advertises margaritas with a neon sign, while a bored-looking doorman checks his phone. Eli frames entering a club as a rite of passage and argues that a bad club earns extra points. The scene extends the quest from childhood pastimes into experiences associated with growing up: Auden is not merely filling the hours but testing what adulthood and social life might include.

Nighttime life thus changes in both scale and structure. Solitary driving had left Auden marking time; her nights with Eli turn time into something they discuss, spend, and try to recover through shared experiences. The recurring destinations make the town feel newly available, while the routine gives their adventures continuity. What begins as a way of staying awake becomes a way for Auden to participate in life she had left unexplored.